Rio de Janeiro, the opening of the carnival. On the Friday evening preceding Mardi Gras, the mayor of Rio hands over the keys to the city to King Momo, sovereign of the carnival. Immediately the samba breaks out in the brightly lit streets of the city. Newspapers, magazines and television feature big headlines describing the event and glorifying the holiday kingdom. They all report that the city is being shaken by winds of madness, that licence and inversions of every variety (...) are rampant, that the leveling of individuals and the abolition of social distances illustrate the resolutions of conflicts in a collective dream of joy and happiness…. (shrink)

Rio de Janeiro, the opening of the carnival. On the Friday evening preceding Mardi Gras, the mayor of Rio hands over the keys to the city to King Momo, sovereign of the carnival. Immediately the samba breaks out in the brightly lit streets of the city. Newspapers, magazines and television feature big headlines describing the event and glorifying the holiday kingdom. They all report that the city is being shaken by winds of madness, that licence and inversions of every variety (...) are rampant, that the leveling of individuals and the abolition of social distances illustrate the resolutions of conflicts in a collective dream of joy and happiness…. (shrink)

Carnival was brought to the New World by Spanish and Portuguese colonizers, and it has been preserved there up to our day, although in the meantime it has almost disappeared from the countries where it originated. One asks oneself if Carnival has kept its original characteristics over the years, or if it instead has been transformed, and if so, how. The ethnological and cultural variety present in Latin America leads us to think that there must have been an evolution over (...) the years, and that Carnival should show some signs of acculturation. It is the examination of these two points that will be the subject of our study. (shrink)